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Entwining in words the human senses with the sensibilities of the world,
Embodied Writing relays experience from the perspective of the body. Nature
feels close and dear. Writers attune to the movements of water, earth,
air, and fire, which ever coax our bodily senses to explore.
Embodied Writing is a skill both a research skill and a spiritual or
meditation practice that nourishes an enlivened sense of presence in and
of the world.
- True-to-life, vivid depictions invite sympathetic resonance.
Embodied Writing invites sympathetic resonance in readers. Through
resonance, readers feel the writer’s experience as though the
experience described were happening to them as they read.
- Inclusive of internal and external sensations. Embodied Writing
includes internal (imaginal, perceptual, kinesthetic, and visceral
sensations (usually known only by the writer) and external events
(observable to others) of information.
- Written specifically from the inside out. Embodied Writing
drops the external witnessing perspective customary for the natural
sciences but increasing common in the human sciences. The body speaks
for itself through the vehicle of words, positioning the author’s
writerly voice inside the body. In so doing, the body’s perceptual
matrix guide the words, impulse by impulse, sensation by sensation.
- Richly concrete, specific and often slowed down. Embodied
writing invites a lively sense of living here and now by attending
to minor external and internal details as they arise. Experience is
often slowed down in the temporal sense in order to re-live, remember,
and describe in detail. Since slowing down is akin to meditation,
slowing down is sometimes difficult to do.
- Attuned to the living body (Leib rather than Körper
in Husserl’s (1952/1989) sense). Embodiment is more
than the physical senses. Embodied Writing used words to express the
living body embedded the sensual matrix of the world.
- Narratives embedded in experience, often first-person narratives.
Embodied Writing is usually based on personal experience. The first
person is used for referential accuracy.
- Literary style and cadence serve embodied depictions. Embodied
writing values vivid accounts of lived experience over literary artfulness.
Musical cadence is often effective. Good Embodied Writing often requires
a lot of editing out “your darlings.”
Contact Rosemarie Anderson at rosemarie@wellknowingconsulting.org
for information, fees, and appointments.
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